




I really don’t have much to say about this instrument. I enjoyed the layout of the Door-o-phone and thought I could reproduce it. I don’t really think it came out with the same feel to it. It was hung in a show and forgotten about until I found the Raga and the Drone in my files. I also wanted to use up the nylon strings that have been in my string box for far to long.
My sweet Banjito, I had no idea how much I missed you until you came into my life. All these years without even knowing what you were, and then a rash decision in
away from buying old broken instrument bodies, but when I came across this frame in
going to have to change my policy on instruments busted and bloodied, broken and blue. This one piece has inspired me to do an entire series of Spare Parts Experimental Instruments.
As I say, the neck and the body were found at a flea market in
again cut in half. I have to thank my friend Mike Whitla for those. The saddle came from eBay, but at the time I thought I was buying a bag of nuts, so go figure. And the black thing it's mounted on is a remnant from the fire at my buddy Brian's place (many a good instrument, and pieces of art were lost that day) Even the screws holding it together came from my friend and boss, Jules of Jules and Tools, and yes, if you were wondering, I do in fact make up one of the tools in the Jules and Tools conglomerate. I guess the only thing that was mine was the cheese grater I found in our
utensils drawer which I have no recollection of buying, so it must have been Jen's. I guess the only contribution I added to it was the strings, and you can buy those anywhere.
Now I just have to find somebody brave or crazy enough to try and play my sweet Banjito. Any takers?
Iner and Banjito out.


One day we shall be reunited, until then I will think of you fondly.
My Oblique Strategy for the Door-o-Phone was Simply a matter of work



This is my first real attempt at trying to document the steps one would take when deciding to build a functional and aesthetically pleasing
experimental instrument. I did put a lot of work into the sound design of this particular instrument. There is a sound post placed just under the bridge, and a piece of wood glues on to the underside running length wise that is suppose to pick up more of the bass of the instrument. It also has a contact mic build directly into the belly of this strange beast. The neck was found somewhere close to
Alex’s Left Handed Bass, but that’s a story for another day. The rest of the body I built myself. As you can tell it looks something like a triangle. That’s because things with too many curve make me feel uncomfortable. The output is on the left hand side of the instrument, a simple quarter inch output. I do wish I had of put a volume control somewhere. So plug it in and rock on, or something along those lines. Maybe you’re into Jazz?
Unfortunately I never really got the chance to play, or rather in my case, make horrible screeching cat death like noises. This instrument along with almost all my others is currently hanging in a show I have in Parkdale. The place is called Mitzi’s Sister. It’s a great place to see live bands seven days a week for free. They also have a great permanent collection of art hanging in the music area done by yours truly. Just scroll down this increasing large page to find out which instruments are there.

All you need is an old body from a salon hairdryer, a chicken cooking grill plate, and some parts from an old chair. OK maybe some tuning pegs and guitar strings thrown in for sound.
a moment. So when the idea of building a harp from a hairdryer came into my head I knew just where to go. I dumped out the shinny metal bits on the floor, where they still lay. The chair parts were lost a few months ago under our too small to be comfortable couch. The grill plates are scattered throughout our apartment, and the machine heads and strings are at Steve’s Music downtown. It’s that easy. I think I might put the fan blower back in just in case I need to do something with my hair.

This is by far the ugliest of all the instruments I have built, and for some reason that makes me love it all the more. It was suppose to be a simple hand drum in the beginning. Sometimes these things have a life of there own, and there is absolutely nothing you can do about it. So I guess it's kind of like a cross between a cello and a banjo made from a snare drum. It's not as scary
as it sounds. There are only two frets on the instrument, but they sit about three inches off the neck. There are three bowed strings, two drone strings, and one sympathetic string. I have no idea why that their, aside from the fact that I had one tuning peg without a string. That's good enough of a reason for me. The swirls are from one my metal dresses that was mostly destroyed in a fire. I'm glad this little bit found itself a new home.
Even if that home is really freaking ugly.
This is a collection of all my other stringed instruments to date. Plenty of the older ones are where the greatest suck factor comes in, and yet in some way I can’t help but feel nostalgic for the good old days when I had no idea what the heck I was doing.
This is a collection of all my other stringed instruments to date. Plenty of the older ones are where the greatest suck factor comes in, and yet in some way I can’t help but feel nostalgic for the good old days when I had no idea what the heck I was doing.